I do think that Steinbergs Reverb ("Revelation") included with Cubase is the best Reverb included with a DAW and beats most third-party stuff IMO, it seems to have the oh so capable tech of Yamaha in it. Yes some plug-ins can give a reasonably close approximation, but very few give the real thing, and convolution verbs for some reason sound yuk a lot of the time.
Eventide ultrareverb vs 2caudio aether code#
That just shows how much further modern tech has to go before they can code the real-deal. Intel Conroe E6600 2.4GHz dualcore processor, Intel DP965LT motherboard with Intel P965 chip set running 1066MHz system bus, 2GB Corsair PC26400 DDR2 RAM, and Windows XP with Service Pack 2. Eventide plug-ins give you the ability to make your recordings evoke the sonic landscape of legendary albums and open the doors to the creation of new sounds never heard before. Aether is an award-winning, ultimate quality. We believe it is one of the best sounding reverbs on the market. Anthology X is compatible with DAW hosts that support AAX, VST and AU formats. Think i'm lying or exaggerating? Clap your hand loud in the room where you are now, and then see if you can get the same sound with a plug-in. 2CAudio Aether Algorithmic Reverb VST v1.0.1 PC/MAC Version First and foremost, Aether sounds absolutely incredible. Anthology X is a bundle of all 17 Eventide mixing, mastering and multi-effect plug-ins that are based on 40 years of Eventide studio hardwarethe best emulations of Eventide gear I grew up with in the studio. Next, although the Snapshot system is useful, it would be better worked up into a fully fledged Preset/ Snapshot browser/library.Īpart from that, this is an excellent, CPU-efficient plugin that delivers rich, characterful reverbs and incorporates a powerful array of tailoring processors.Too be honest, i have to say that most plug-in Reverbs IMO fall-short of pristine true emulation, and i wasn't surprised to hear that the man himself Chris Lord Alge thinks the same thing, he doesn't like and refuses to use 'any' plug-in Reverb, and I know why, they are not nailing it, the 'real-world' sound, none of them are really capturing the sound or real spaces. First, the Lo-Fi effect works best at up to 20% - any higher and it starts to kill transients and sound quite unpleasant.
Great special effects can also be achieved using DAW automation of the Room Size parameter, with longer Glide Rates creating smooth transitions as the Size changes.Īs expected, it's an amazing reverb, but there are some niggles. UltraReverb's more creative presets include big special effect spaces, heavily EQ'ed spaces, and quirkiness through high feedback Delay settings. The excellent Hall-based presets are joined by more colourful large spaces using other algorithms. Particularly good on vocals are the less dominating Medium Plate presets and - for mid range density - Chamber presets with medium Decay Times. UltraReverb features nine reverb algorithms and over 300 categorised presets, with contributions from Andrew Scheps and Richard X, amongst others. Nonetheless, we prefer its medium and large spaces. Eventide's latest 'Ultra' plugin for native formats (VST/AU/AAX) once again draws heavily on its H8000 UltraHarmonizer. UltraReverb also includes some good width-enhancing presets, and some with short Delay settings which can deliver useful proximity. "Great special effects can also be achieved using DAW automation of the Room Size parameter" Presets are categorised by algorithm type (Hall, Room, etc) and function (Environments, Instruments, etc). Sounds about rightĮventide is renowned for its more 'processed' reverbs, but there's plenty here for conventional usage too. Finally, the Compressor includes a Knee shape setting and external Key input, facilitating sidechaining. The twin-channel Delay is a straightforward design, with Left/ Right Feedback, Time and Level controls, and Tempo field (host sync or manual). The Equalizer is actually made up of four separate EQs: two 3-band fully parametrics for the Pre/Post EQ sections, high and low shelves for the Reverb Tail, and 3-band with parametric mid for the Delay section.
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